Within this duo there is fluidity – neither is the anchor – and these recordings sound with as much variety as the sea. Original Release Date: 2017-05-19 UPC: 9120036682504 Weight: 0.15 lb Dimensions: 5.5 x 5.0 x 0.4After three years playing together Brötzmann/Leigh's connection and understanding is by now both cerebral and deeply invested in the physical and sensory possibilities of their combined sound, while retaining a melancholic distance. Peter Brtzmann and Heather Leigh at Issue Project Room / JIt seems a little strange to say it, given the man's reputation and overall aesthetic, but what I'm sitting here thinking about now marveling at, really less than hour after the end of a Peter Brtzmann performance at Issue Project Room, is the man's generosity.This is a new, unopened CD in its original packaging. Sex Tape (gift given) by BR&214 TZMANN / LEIGH. Favorite track wishlist in wishlist » You own this
Peter Brotzmann Sex Tape Full Interaction Of
With a rare combination of sensitivity and strength, Leigh’s steel mainlines sanctified slide guitar and deforms it using hypnotic tone-implosions, juggling walls of bleeding amp tone with choral vocal constructs and wrenching single note ascensions. Her playing is as physical as it is phantom, combining spontaneous compositions with a feel for the full interaction of flesh with hallucinatory power sources. Here as a studio duo they play a new-old blues for times of complexity, noise and chaos, continuing to redefine and re-sound possibilities for improvised music."The daughter of a coal miner, weaving a trail from West Virginia to Texas and now residing in Scotland, Heather Leigh furthers the vast unexplored reaches of pedal steel guitar. Listen to Peter Brtzmann & Heather Leigh on Pandora.Brötzmann’s duo with Leigh continues to trace a fresh new arc in his trajectory, and this release also falls at a time when Leigh releases Throne, her most song-based record to date. The studio setting also allows Brötzmann to bring a broader range of reeds than in live scenarios: where previously he has played primarily tenor, clarinet and tarogato with Leigh, here he delivers the heat of alto and the low pressure of bass saxophone and clarinet.Discover Peter Brtzmann & Heather Leighs top songs & albums, curated artist radio stations & more. On their previous three live albums ( Ears Are Filled With Wonder, Sex Tape, Crowmoon) the duo have developed an intimate and intense language that manifests here as a focus on power and control, where figures blasted of unnecessary decoration are drawn from the shadows and smoke of collapse.
Brötzmann's sound is "one of the most distinctive, life-affirming and joyous in all music" and he has performed with almost all of the major players of free music from early associations with Don Cherry and Steve Lacy to regular groupings with Peter Kowald, Alex Von Slippenbach, Han Bennink and Fred Van Hove, the Chicago Tentet (Mats Gustafsson/Joe McPhee/Ken Vandermark and more) and various one-off and ad hoc associations with many others including Keiji Haino, Derek Bailey, Evan Parker, Anthony Braxton and Rashied Ali. However he continued to paint and his instantly recognisable visual sensibility has produced some of our favourite LP sleeves as well as a number of gallery shows in recent years.Self-taught on Clarinet and Saxophone, Brötzmann established himself as one of the most powerful and original players around, releasing a number of now highly sought after sides of musical invention including the epochal 'Machine Gun' session in 1968 - originally released on his own Brö private press and later recordings for FMP (Free Music Production) the label he started with Jost Gebers. A new BRÖTZMANN/LEIGH studio LP/CD is forthcoming in 2018 and she’s currently working on a new solo LP for Editions Mego.Peter Brötzmann is one of the most important and uncompromising figures in free jazz and has been at the forefront of developing a unique, European take on free improvisation since the 1960s.Brötzmann first trained as a painter and was associated with Fluxus (Participating in various events and working as an assistant to Nam Jun Paik) before dissatisfaction with the art world moved his focus towards music.
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